Encruzilhada. Lugar em que quatro ruas ſe cruzaõ. *
PONTO DE ENCONTRO DE PALEOGRAFIA, DIPLOMÁTICA, CODICOLOGIA E CRÍTICA TEXTUAL
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| Sto. Hilário de Poitiers, Tractatus super Psalmos. Ms. 452 |
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| Lex Romana Wisigothorum, Ms. 375 |
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| Evangelhos, Ms. 431 |
«Peintures remarquables aux canons (f.7v - 11) et au commencement des quatre Évangiles (f.11v - f.12, f.71v - f.72, f.115v - f.116, f.183v - f.184)»
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| Beatus Rhenanus |
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| Damião de Góis, por Albrecht Dürer |
Curso — Paleografia Grega“Este curso terá uma vocação prática, e consistiráPrograma e informações em http://www.fl.ul.pt/cec-formacao/cursos-livres/1519-paleografia-grega
essencialmente em exercícios de leitura, interpretação paleográfica e transliteração. Pretende-se com ele iniciar os formandos na problemática da leitura dos manuscritos gregos, da Antiguidade à altura do Renascimento; designadamente:
Finalmente, embora este curso não os toque, será visto em complementaridade com outros domínios, como a crítica textual, a ecdótica ou a codicologia, numa conjunção de saberes que permitirão, àqueles que eventualmente estejam interessados, abalançar-se à edição de textos gregos.”
- que reconheçam características das diversas tipologias alfabética uncial e minúscula, bem como de convenções gráficas como abreviaturas, ligaduras e nomima sacra;
- que valorizem aspectos de fonologia histórica da língua grega na leitura como factores que potenciam erros de cópia;
- que proponham soluções para os problemas (confusões entre abreviaturas, erros de cópia) que estes elementos colocam à leitura paleográfica, através da transliteração.
C’est ainsi au cœur vivant de l’Europe que ce musée privé conserve et expose les témoignages des plus grands hommes et femmes de l’art, de l’histoire, des lettres et des sciences, à travers la découverte si passionnante et émouvante des écrits qui ont composé l’Histoire.
Fidèles à notre volonté d’ouverture et de partage, nous ouvrirons grand les portes de nos collections aux chercheurs, aux publics scolaires, aux amateurs de tous âges et de tous centres d’intérêt (…)
Le 15 avril 2010 le Musée des lettres et manuscrits a ouvert ses portes au 222 boulevard Saint-Germain à Paris.
Cet immeuble haussmannien, situé dans le secteur sauvegardé du 7ème arrondissement de Paris, a été entièrement réaménagé afin d’offrir aux écrits de Proust, Hugo, Sand, Saint-Exupéry, Napoléon, Eisenhower, de Gaulle, Einstein, Edison, Delacroix, Van Gogh, Mozart, Beethoven et des centaines d’autres grandes figures de notre histoire, un écrin à leur mesure.
Parmi les quelque 70 000 lettres, manuscrits, autographes, dessins et éditions originales que comptent les collections du musée, nous avons choisi, sur une surface de 600 m2, d’en présenter un millier parmi les plus significatifs, en quelque sorte les fleurons qui illustrent le mieux chacune des grandes thématiques proposées à travers le parcours de visite : l’histoire, les sciences et découvertes, la littérature, les arts, la musique. (…)
Nota final: 17 valoresParabéns, Ana!
Diogo Homem foi, tal como seu pai Lopo Homem, um dos grandes cartógrafos portugueses do século XVI. Degredado para o Norte de África por crime de homicídio, Diogo Homem viveu quase toda a vida em Inglaterra.We can introduce the following fields:
- The recognition of the Arabic writing,
- the knowledge of numbers,
- modeling of the manuscript wrinting,
- PDA,
- Arabic OCR,
- the signature recognition,
- automatic processing of cheques and mailing envelopes,
- the analysis of ancient documents…
- Segmentation, classification, combination of classifiers, the extraction of characteristics, advanced classification, learning…
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| 1:1 2005 |
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| 2:1 2007 |
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| 3:1 2008-2009 |
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| Fortaleza de Monforte |
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| Planta da fortaleza de Monforte |
O presente aviso destina-se a projectos de investigação científica e desenvolvimento tecnológico (IC&DT) em todos os domínios científicos.
6. Apresentação de Candidaturas
As candidaturas devem ser apresentadas à FCT, em língua inglesa nas suas componentes principais, em formulário próprio e submetidas electronicamente através do sítio https://concursos.fct.mctes.pt/projectos/.
A apresentação de candidaturas deverá ser efectuada sequencialmente, em função dos quatro Domínios Científicos, nas seguintes datas:
- 4. Ciências Sociais e Humanidades, com candidaturas abertas entre 3 de Abril e as 17 horas (hora de Lisboa) de 3 de Maio de 2012.
The principal objective of Europeana Regia is to reconstruct, in the form of a virtual library, the most important European royal collections of documents from the Middle Ages to the Renaissance. This project will provide a means for researchers and the general public to access these rare and precious documents, through platforms such as Gallica, Belgica, Manuscripta Mediaevalia and Europeana, by 2012.
Managed by the Bibliothèque nationale de France (BnF), Europeana Regia unites five European libraries — the Bayerische Staatsbibliothek, Munich (BSB), the Universitat de València Biblioteca Històrica (BHUV), the Herzog August Bibliothek, Wolfenbuttel (HAB) and the Koninklijke Bibliotheek van België – Bibliothèque royale de Belgique (KBR) — and concerns almost nine hundred manuscripts that are representative of the political, cultural and artistic history of Europe.
This project focuses on three sets of manuscripts which are currently dispersed among different member States: Carolingian manuscripts, the manuscripts of the library at the Louvre in the time of Charles V and Charles VI, and the library of the Aragonese Kings of Naples.
As suggested by modern paleography, the width of ink traces is a powerful source of information for off-line writer identification, particularly if combined with its direction. Such measurements can be computed using simple, fast and accurate methods based on pixel contours, the combination of which forms a powerful feature for writer identification: the Quill feature. It is a probability distribution of the relation between the ink direction and the ink width. It was tested in writer identification experiments on two datasets of challenging medieval handwriting and two datasets of modern handwriting.Não sei quanto tempo mais estará neste URL pelo que aconselho que o vão buscar rapidamente.
While the public universities have gained greater autonomy to manage their resources, national governments have at the same time set tight(er) limits on public funding. As a consequence, most university authorities now avidly pursue outside funding, which leads to an assessment of academic research and the knowledge generated that is focussed almost exclusively with an eye on short-term economic benefit and research products for the global market.
Further, the temptation for universities to invest almost exclusively in the ‘immediately profitable’ sectors of university life to the detriment of those perceived as less so, risks a grave unbalancing in the relationship between the applied and the ‘pure’ sciences generally, and especially between those sciences traditionally linked to business and industry (informatics, chemistry, biology, medicine etc.) and the humanities and social sciences.
Most recent European Commission documents on knowledge and innovation, have emphasised the central role of the social sciences and humanities as integral parts of the programme Horizon 2020. (…) However, we feel that there is an implication that these investments in scholarship and education could easily still be prioritised only in their ability to deliver outputs of “economic relevance”, rather than contributing as a cultural and societal good. ‘Innovation’ is used in a technocratic sense and not in the broader sense of intellectual creativity, which forms the basis of all research.
Modern mass universities are increasingly seen primarily through the lenses of costs, performance, number of students and exams. Protocols of benchmarking and statistical indicators applicable to the empirical and to the exact sciences are carried over to the humanities: peer-reviewed journal articles outweigh monographs, the name of the publisher, the number of citations, the impact factor of a journal reputation, and whether a publication is international or national, become all-determinative. As a result, smaller fields and subject disciplines become marginalized, and in many instances are phased out altogether. Larger fields and disciplines that do not ‘deliver’ along the lines of the preferred ‘industrial model’ are stripped of research funding and reduced to rote teaching of ever larger groups of students.
Especially important in this regard, is the preservation of research and teaching in the so-called ‘small subjects’ – not limited to, yet primarily in the Humanities and Social Sciences - which because of the economic and institutional pressures outlined above risk disappearing unnoticed state-by-state. (…) Many, if not all the smaller subjects mentioned, will simply cease to be studied if in Europe we abandon their pursuit.
Recommendations
Taking into account our assessment of the current situation of European research in the Humanities and Social Sciences as outlined above, the AE recommends to all concerned:
1. to re-consider the issue of the evaluation of research in the Humanities and Social Sciences, discussing the use and abuse of bibliometrics, impact factors and peer-review criteria, for it is apparent that papers written by non-Anglophone scholars from institutions outside of the Anglophone world have significantly less chance of being accepted in international journals that the main metrics databases utilise;
This position paper is aimed at drawing public attention to several potentially dangerous facts and trends relating to the organisation and funding of science and scholarship (in its broadest sense) in Europe; which may soon result in non-recoverable losses in the Humanities and to some extent in the Social Sciences, especially in areas less related to the economic environment. At the same time, we suggest possible short and longer-time remedies and declare our determination to assist the European research community and the decision makers in minimising losses that will be unavoidable if the current situation remains unchanged.
Late Medieval English Scribes is an online catalogue of all scribal hands (identified or unidentified) which appear in the manuscripts of the English writings of five major Middle English authors: Geoffrey Chaucer, John Gower, John Trevisa, William Langland and Thomas Hoccleve.Citado do website do Catálogo electrónico.
19 valoresParabés, Jorge!
